Visual Artist (1984) based in Santiago de Chile.
The intervention presented in Tajamar corresponds to an analysis of the environment and its predominant figures, as a kind of bending space, subjected to an intervention that leaves it running to the service of the artwork. The surrounding space is adhered to the architecture as a reflection, assigning the gallery in the surface category.
Its glass edges, the preponderant field of action, is its relationship with the environment, which activates the perception of who’s passing and relates with the place, and what the primary geometric figures propose as an image.